Vivian Gornick is an essayist and memoirist. Her collection The End of the Novel of Love contains a wide range of essays on different authors and topics. The title is the title of one of the essays. Almost all the essays circle to some extent around the topic of love.
About Vivian Gornick. Vivian Gornick is the author of eight books, including Approaching Eye Level, The Romance of American Communism, The End of the Novel of Love, The Situation and the Story, Women in Science, The Solitude of the Self: Thinking About Elizabeth Cady Stanton, and most recently The Men in My Life, which was nominated for a National Book Critics Circle Award.
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Every now and then, a younger writer will approach the critic and memoirist Vivian Gornick and profess love for a book she routinely disparages: The Romance of American Communism, the oral history of the American left that she published in 1977.If, as often happens, her admirer is too young to remember the Cold War, Gornick tries to clarify a point that she fears has been missed.
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Vivian Gornick. Vivian Gornick is the author of several books, including the acclaimed memoir Fierce Attachments, named the best memoir of the past 50 years by the New York Times Book Review in 2019; the essay collections The End of the Novel of Love and The Men in My Life, both of which were nominated for the National Book Critics Circle Award for Criticism; and The Odd Woman and the City, a.Learn More
Gornick might be an urban peasant, but in these years she appeared the quintessence of urbane, at home in her skin. I saw her read from The End of the Novel of Love, her 1997 collection of essays on Jean Rhys, Willa Cather, Grace Paley and others when she was nominated for the National Book Critics Circle. On the bill that night at the National.Learn More
Her latest book, Unfinished Business: Notes of a Chronic Rereader, from 2019, occasioned numerous essays, including a feature in The New Yorker. So did the reissue early, in 2020, of The Romance of American Communism Gornick’s 1997 highly original look at what it was that made so many identify strongly with the American Communist Party from its ascendance after World War I.Learn More
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In nine stunning essays, the inimitable Vivian Gornick returns to the books that have shaped her. From a reporter in 1970s New York, to a feminist negotiating love and independence, to a writer in the jubilant sanctity of older age: Gornick’s life is compelling, and in the characters of literature she finds versions of herself through the years, each time she opens the page.Learn More
Vivian Gornick’s mother, Bess, believed that the Lower East Side was for “Jewish gangsters” and that “politically enlightened” Jews, communists like herself and her family, belonged in the Bronx. The borough was home to the city’s largest socialist housing development, the United Workers Cooperative Colony, built by Jewish radicals and known simply as the Coops, but Gornick, born.Learn More
Vivian Gornick’s writing has always explored the hard truths of existence: the nature of human loneliness, and the struggle to love, work, and connect. In these seven seminal essays Gornick chronicles the New York streets that energise her, and looks back on the dangerously charged atmosphere of the Catskills where she waitressed as a student in the late fifties.Learn More
In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith. In doing so, she examines a century of novels of love-in-the-Western-world and comes to see that, for most writers, it is.Learn More
In this book of new and collected critical essays, Vivian Gornick turns the searching intelligence and honesty of insight that mark her memoirs on the work - and the lives - of writers she admires, among them Jean Rhys, Willa Cather, Christina Stead, and George Meredith.Learn More
In time, she herself would become a world-famous symbol for the spirit of resistance to the power of institutional authority over the lone individual. In Emma Goldman, Vivian Gornick draws a surpassingly intimate and insightful portrait of a woman of heroic proportions whose performance on the stage of history did what Tolstoy said a work of art should do: it made people love life more. About.Learn More
About Taking A Long Look. One of our most vital and incisive writers on literature, feminism, and knowing one’s self For nearly fifty years, Vivian Gornick’s essays, written with her characteristic clarity of perception and vibrant prose, have explored feminism and writing, literature and culture, politics and personal experience.Learn More